Introduce a relationship between curatorial practice and care in the context of migration. The main focus is to look at a shifting role of contemporary curating from caring objects/organising the exhibitions to caring people who need support who are socially excluded and discussed the migration in art though the social and political context. This work will focus on a curating as process looking at a case study of Sink without trace exhibition. The research was conducted within a contextual framework which sits in a postmodernist paradigm to consider the ethical and structural aspects of artists and curators’ participation in communities.
