To what extent do you feel Morelli’s and Berenson’s methods of connoisseurship succeed in determining which artist painted the works? You will need to reflect on how useful, or how limiting you find their approaches. Are there aspects of the task that you feel they have ignored or failed to give enough weight?

THEORETICAL PERSPECTIVES CONNOISSEURSHIP 1 (Old Master Paintings)

To what extent do you feel Morelli’s and Berenson’s methods of connoisseurship succeed in determining which artist painted the works? You will need to reflect on how useful, or how limiting you find their approaches. Are there aspects of the task that you feel they have ignored or failed to give enough weight?