What role do you think cultural hierarchies and cultural capital play in media consumption, the creation of fan identities, and fannish textual production?
What role do you think cultural hierarchies and cultural capital play in media consumption, the creation of fan identities, and fannish textual production? How might the notions of toxic fans, destructive fans, and fandom as pathology either support or challenge your belief? Would John Fiske agree or disagree with your position? Why or why not?