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What did Rome mean to the artists who worked there? How did their art change as a result of experiencing the city.

Week 13 – Orientation

w/c 14 January 2019

Monday 14 January   1000-1130

TH + CLM Seminar: Presentation of materials and topics; Seminar: Layers of History:  Introduction to the revival of classical art in the Renaissance.

READING

Haskell and N. Penny, Taste and the Antique: The Lure of Classical Sculpture 1500-1900, Yale University Press, New Haven and London, 1982.

ADDITIONAL READING

Barkan, Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture, Yale University Press, New Haven and London 1999.

Roberto Weiss, The Renaissance Discovery of Classical Antiquity, second ed., Oxford 1988.

Kathleen W. Christian, Empire without end: antiquities collections in Renaissance Rome, c. 1350-1527, London & New Haven, 2010.

 

Thursday 17 January 1000-1330 extra visit (Christopher Burden-Strevens): The Forum and the Palatine Hill (meet in the Piazza del Campidoglio at 1000)

Haskell and N. Penny, Taste and the Antique: The Lure of Classical Sculpture 1500-1900, Yale University Press, New Haven and London, 1982. Link

Barkan, Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture, Yale University Press, New Haven and London 1999. Link

Roberto Weiss, The Renaissance Discovery of Classical Antiquity, second ed., Oxford 1988. Link

Kathleen W. Christian, Empire without end: antiquities collections in Renaissance Rome, c. 1350-1527, Yale 2010. Link

Week 14 – Early-Christian Rome to the XIV Century

Week 14 – Early-Christian Rome to the XIV Century

w/c 24 January 2019

Thursday 24 January   0900-1300

CLM Visit: From Early-Christian Rome to the XIV Century including: S. Clemente, S.M. Maggiore, S. Prassede

READING

Richard Krautheimer, Profile of a City, 312‐1308, Princeton University Press, ed.2000;

ADDITIONAL READING

Kitzinger, Studies in late antique, byzantine and medieval western art, London, 2002.

Fred S. Kleiner, Gardner’s Art through the Ages. A Global History, (12th ed.) 2005 (only sections on Medieval Art in Italy);

Cecil Goodson, “Revival and Reality: The Carolingian Renaissance in Rome…”, Acta ad archaeologiam et artium historiam pertinentia, 20 (2006) 163-192;

Per J. Nordhagen, Early medieval church decoration in Rome and “the battle of images”, in Ecclesiae Urbis, atti del congresso internazionale di studi sulle chiese di Roma (IV – X secolo), ed. by F. Guidobaldi and A. Guiglia Guidobaldi, Città del Vaticano 2002, pp. 1749-1769;

Ann Priester, “Bell Towers and Workshops in Medieval Rome”, Journal of the Society of Architectural Historians, 52 (1993) 199-220;

Roma felix: formation and reflections of medieval Rome, ed. by É. ó Carragáin, C. Neuman de Vegvar, Ashgate 2007.

Richard Krautheimer, Profile of a City, 312‐1308, Princeton University Press, ed.2000; Link

Kitzinger, Studies in late antique, byzantine and medieval western art, London, 2002. Link

Fred S. Kleiner, Gardner’s Art through the Ages. A Global History, (12th ed.) 2005 (only sections on Medieval Art in Italy); Link

Goodson, “Revival and Reality: The Carolingian Renaissance in Rome” Link

Nordhagen, Early medieval church decoration in Rome and “the battle of images”, in Ecclesiae Urbis, atti del congresso internazionale di studi sulle chiese di Roma (IV – X secolo), 2002, pp. 1749-1769; Link

Ann Priester, “Bell Towers and Workshops in Medieval Rome”, Journal of the Society of Architectural Historians, 52 (1993) 199-220 Link

ó Carragáin,É.; C. Neuman de Vegvar (eds.) Roma felix: formation and reflections of medieval Rome, Ashgate 2007. Link

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