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To what extent can this process be seen in Seven Chances ? How are the norms of slapstick comedy adapted to the narrative demands of the feature-length format? Be sure to engage ideas from Neale and Krutnik’s “The Case of Silent Slapstick” essay in your argument.

It is Steve Neale and Frank Krutnik’s argument that the development of the multiple-reel “feature” film led comic filmmakers to experiment with various combinations of slapstick and genteel components . To what extent can this process be seen in Seven Chances ? How are the norms of slapstick comedy adapted to the narrative demands of the feature-length format? Be sure to engage ideas from Neale and Krutnik’s “The Case of Silent Slapstick” essay in your argument.

Note: This is not a research paper, but a film analysis assignment. Nonetheless, insofar as you will likely need some context in order to situate these movies within screen comedy’s broader development, you may usefully consult the following:

Walter Kerr, The Silent Clowns
Rob King, The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture
Robert Knopf, The Theatre and Cinema of Buster Keaton
Daniel Moews, Keaton: The Silent Features Close Up

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