Compare Michelangelo’s “David” (Figure 5-8) with Rodin’s “Danaïde” (Figure 5-9). How does each sculptor establish the gender of his figure? Does Rodin achieve more in terms of gender identity by leaving some of the original marble unfinished?
The Humanities Through the Arts
Lee A. Jacobus & F. David Martin, 2018
McGraw-Hill Education
