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To what extent can Metin Erksan’s directorial approach in Dry Summer (1963) and Time to Love (1965) be considered ‘feminist’?Discuss

Posted on January 22, 2021 by Shady

Topic:

To what extent can Metin Erksan’s directorial approach in Dry Summer (1963) and Time to Love (1965) be considered ‘feminist’?
Description

Split the paper into 5 paragraphs. Introduction, Feminism in Turkish Cinema, Feminism in Dry Summer (1963), Feminism in Time to Love (1965) and Conclusion.

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